Juliet took up the Oboe in secondary school and went on to play in the Leicestershire Schools Symphony Orchestra. She continued her studies at the Royal Northern College of Music and the Royal Academy of Music under Lady Barbirolli, Michael Dobson and George Caird. Juliet has performed extensively in London, Buckinghamshire, Bedford and Norfolk.
A committed teacher and a founder member of the British Double Reed Society, with several of her pupils now playing professionally, she is presently a senior manager at Norfolk Music Service and director of the Norfolk County Youth Orchestra. Juliet is passionate about developing opportunities for young artists to play together and is also director of ‘Triorca’, a highly acclaimed European youth orchestra recruiting players from Britain, Serbia and Germany.
Juliet was appointed manager of NCYM when it opened in September 2013 with 52 students attending the first session. The centre continues to thrive and now has over 120 members.
Paul Warburton began his musical life as a chorister at Lincoln Cathedral, eventually going on to study the violin in Birmingham, with Beverley Davison, and in London with Howard Davis. He studied Chamber Music with the Alberni String Quartet, Peter Cropper (Lindsay String Quartet), Roger Bigley (ex Lindsay Quartet) and John Todd (ex Coull Quartet). As a student he was awarded the ESTA Award for String Quartet Playing and the Sylvia Cleaver Chamber Music Prize.
Since then he has enjoyed a wide and varied career as a professional violinist, performing with the CBSO under Simon Rattle and Sakari Oramo in virtually every capital city in Europe and many major music festivals world-wide, (BBC Proms, Edinburgh, New York, Chicago, Washinton, Dallas, Los Angeles, Paris, Berlin, Brussels, Madrid, Lisbon, Tokyo, Osaka, Sapporo, Rio de Janeiro, Vienna, Amsterdam, Rome etc.). With the CBSO he has played in countless TV and radio broadcasts and on numerous CD recordings. As well as his work with the CBSO Paul was for 18 years a member, and Assistant Leader, of the Glyndebourne Opera Orchestra. He has played regularly with the Royal Shakespeare Company, BBC Orchestras, Opera North, Welsh National Opera, Garsington Opera, Covent Garden Soloists, D’Oyly Carte Opera and many other orchestras and chamber groups, as well as TV, film work, solo engagements and sessions. He has worked with many of the world’s greatest conductors, soloists, actors and musicians including Gennady Rozhdestvensky, Sir Simon Rattle, Yehudi Menuhin, Maxim Vengerov, Lang Lang, Vadim Repin, Nigel Kennedy, Heinz Holliger, Lynn Harrell, Truls Mørk, Håkan Hardenberger, Dame Judi Dench and Alan Rickman.
Paul has always combined his playing career with teaching in schools and colleges. He has worked on a huge number of projects for the CBSO Education Department, individually and as a member of The Springfield String Quartet, The Little Big Time Band and The Berkley Salon Ensemble giving themed Education Concerts and working on projects with children and adults, infants, special needs pupils, handicapped children and adults, the elderly, GCSE and A Level students. With Scott Stroman’s Opus 20, and as part of their annual residency at the Dartington International Summer School, Paul performed and coached some of the best music students from the UK and overseas.
As well as Paul’s work at the NCYM he currently teaches the violin at King’s College School and St John’s College School, Cambridge. He also coaches and conducts various chamber groups.
Away from music, Paul is a keen cyclist. Although Majorca has to be his favourite cycling location, he does enjoy the ride back to Cambridge from Norwich.
Rachel is a professional clarinettist and woodwind specialist. After completing sixth form at Chetham’s School of Music, she trained at Guildhall School of Music and Drama, winning the Worshipful Company of Musicians’ Medal and the Rosebowl prize as runner up in the prestigious Gold Medal Concerto competition. She was principal clarinet of the Northern Ballet Theatre Orchestra for several years before pursuing a freelance career, playing with all the major London orchestras. Rachel has also performed extensively as a soloist and chamber musician and has appeared on Radio 3 and Classic FM.
Rachel has always enjoyed combining teaching with performing, aiming to pass on her love and enthusiasm for all types of music and art forms. She has coached many wind ensembles and youth orchestra sections, including Junior Guildhall, London and leads the adult clarinet choir, “A Conference of Clarinets”. Rachel also teaches at Culford School and Norwich School.
She is principal clarinet in the Academy of St Thomas Orchestra, Norwich.
The Nottinghamshire born Soprano trained at the University of Huddersfield gaining her BMus(hons) and first Masters degree in Performance studying principally with Bass-Baritone, Andrew Slater. After a couple of years of singing and teaching, she then moved even further North to complete her postgraduate studies at the Royal Scottish Academy of Music and Drama (now the Royal Conservatoire of Scotland (RCS)) with Soprano, Helen Lawson, attaining her PGDipMus and MMus. Laura, until recently, had been singing under her maiden name, Laura Lemmon.
Laura now lives in Norwich with her husband and son. In addition to her own singing, Laura is a vocal tutor for two prestigious private schools in Norwich (Norwich School and Town Close House preparatory school); vocal instructor and choral conductor/leader for the Norwich Centre for Young Musicians in collaboration with Guildhall, London and choral director for Surlingham Broadnotes choir. She regularly gives vocal workshops and masterclasses and teaches students of all ages privately at home. Laura has been invited to sing as a recitalist and soloist all over the UK and enjoys a varied career of singing oratorio, recitals, weddings, christenings and other concert work.
Recent performances include:- Cally Spooner’s Damning Evidence Illicit Behaviour Seemingly Insurmountable Great Sadness Terminated In Any Manner for British Art Show 8 at Norwich Castle; Brahms Ein deutsches Requiem, Fauré Requiem for Lowestoft Choral Society; Mozart- Mass in C Minor, Haydn – Salve Regina, Schubert Magnificat for Sudbury Choral Society; Arvo Pärt – Passio for Keswick Hall Choir, Mozart- Mass in C Minor, Dido & Aeneas with Norwich Baroque, Opera Gala for Sudbury Choral Society, Finzi- In Terra Pax & Bernstein – Chichester Psalms Carter – Musick’s Jubilee Handel- Messiah, Handel – Israel in Egypt, Rossini- Petite Messe Solennelle, Fauré – Requiem, Vivaldi – Gloria and Beatus Vir, Mozart – Vesperae Solennes de Confessore.
Rosamund’s extensive concert platform experience has seen her perform as a soloist in some of the most prestigious venues in the UK including St John’s Smith Square and The House of Lords. Other highlights of her solo career include Queen Anne in The Middleham Requiem at St James the Greater in Leicester on the occasion of the reburial of Richard III; Hawes Eventide with the English Chamber Orchestra; Allain Vespers with the London Mozart Players; Handel Messiah with the Glasgow City Chorus; Bach Magnificat with the Norwich Philharmonic; Mozart Vespers with both the Honourable Society of Gray’s Inn and at St Mary’s Cathedral, Edinburgh; Brahms Requiem and Haydn Nelson Mass in Norwich Cathedral; Haydn Creation in St Andrew’s Hall; Britten’s War Requiem at Gresham’s; Will Todd’s Mass in Blue with the composer and the Kings Lynn Festival Chorus; Mozart Mass in C minor and Bach St John Passion at St Mary-le-Tower. Operatic roles have included Tytania in Britten’s A Midsummer Night’s Dream; Dido in Dido and Aeneas with Norwich Baroque; Despina in Cosi fan tutte in Vienna; Mrs Noah in Britten’s Noyes Fludde; and The Soprano in Tom Johnson’s the Four Note Opera. Her early training was as a ‘cellist and composer on a full scholarship at Trinity College of Music’s Junior Department. She then moved into choral music, performing and recording regularly with the Rodolfus Choir and joining the choir of St Paul’s, Knightsbridge and singing as Cantor for Westminster Cathedral. She has always maintained a keen interest in contemporary classical music and toured regularly with the New London Chamber Choir, singing with them across Europe and the UK including Zagreb, Rome and Paris. She is now the professional soprano for Gray’s Inn, one of the Inns of Court. Rosamund gained her Masters in Music from the Royal Conservatoire of Scotland where she won the Norma Grieg French song prize, a Barcaple Foundation Trust award and taught for their Outreach Department. Alongside her own singing she conducts numerous choirs and Musical Theatre shows, and is the Head of Vocal studies at Norwich School.
James Boyd has established his reputation as one of the leading exponents of the classical guitar.
Recent concert appearances include the Aldeburgh, Bath, Norfolk & Norwich and St Magnus Festivals.
James studied at the Royal Academy of Music where he was awarded the Julian Bream prize. His lyrical playing style is strongly influenced by the vocal training he received from the countertenor Charles Brett and he works regularly with the lyric tenor Robin Tritschler and the countertenor Michael Chance CBE.
James is one of the few guitarists to centre his career on the commissioning and performance of new English works for the guitar and he has premiered new music by Elspeth Brooke, Jonathan Dove, Joseph Phibbs and Anthony Powers, amongst others.
Naomi Fry moved to Norfolk in 2007 having taught for 14 years at a grammar school in Buckinghamshire where she variously took on the roles of Director of Music, Head of Sixth Form and Assistant Headteacher.
Prior to this she taught cello for Aylesbury Music Centre and is now returning to her teaching roots after spending the last few years bringing up small children. During this time she has enjoyed playing with local orchestras including the Academy of St Thomas and has ventured into the world of baroque playing with Norwich Baroque.
David’s career has combined performing, composing & teaching as well as being something of a journey through various musical environments and genres.
David left home at the age of 15 to study at the prestigious Royal Marines School of Music in Deal, Kent, where he boarded for three years. David completed his studies and then served as principal flute & saxophone player within HM Band of the Royal Marines throughout the world & principally in the Far East (where he was stationed for two years, initially at HMS Terror and then with 3rd Commando Brigade). On returning to the UK David was a member of Plymouth Group Band and then CTC Lympstone. It was at this time that he started to play with various bands in and around the Exeter region (notably the Maurice Price Showband & Christian progressive rock band Pilgrimage). He left the band service in 1975 to follow a career beyond the world of military music.
After further years of working within the musical world of popular & world cultures, recording & touring with various bands including 60’s soul legend Geno Washington & The Ram Jam Band (signed to DJM/Dick James Music) & 70’s disco chart band The Chequers (signed to Creole Records – two top 20 hits). He also spent much of his energy working as a session musician in and around London and playing with various show bands (including Bob Miller & The Millermen, The Nat Temple Orchestra, Chris Allen Band and many others). Since the mid-1980’s David has devoted most of his time & energy to working with many artists within the Christian Music industry (principally on recording and touring projects with Adrian Snell & Graham Kendrick but many others also). In 1989, following visits to the islands of Lindisfarne & Iona, David co-founded the musical project IONA, the result of discoveries made into the Celtic origins of the Christian faith within these Islands.
After two hugely successful recordings (‘Iona’ & ‘Book Of Kells’) David left the project/band to study for a degree in music, focussing two years of this study into the origins & relevance of Liturgical & Worship Music throughout history. David has since undertaken extensive television & recording work (including many recordings for the BBC TV series ‘Songs Of Praise‘ – with artists such as Aled Jones, The New English Orchestra, Lesley Garrett, Noel Richards, Graham Kendrick, Phatfish, Stuart Townend & Jonathan Veira). Although David still performs & records, he now devotes much time to teaching in schools (principally Norwich School) & privately, adjudicating & directing classical & jazz ensembles. For a number of years David joined the adjudication team at the Llangollen International Musical Eisteddfod, where musicians, dancers and singers perform each year from approximately 120 nations around the world.
Simon Limbrick’s involvement in music embraces performance, composing and education. He has recorded for EG Editions, Blue Note Records and ECM and created scores for leading national dance companies. As a percussionist, he has performed in a wide range of musical contexts, including Alabama3, Apartment House, Birmingham Contemporary Music Group, Gavin Bryars, Pete Lockett, Man Jumping, Lost Jockey, notes inegales and the LSO. His world-premieres of solo pieces, include the composers, Javier Alvarez, Frederic Rzewski, Philip Cashian, Thea Musgrave and Ed Kelly. Recent creative work includes the online ‘dot machine’ and surfaces, a collaboration with the composer James Saunders. ‘Relay’, a double CD of music for contemporary steel-pan and electronics was released in 2014 and broadcast on a number of networks. He created a score to be performed on the structure of a house, for the film ‘3 Church Walk’, directed by Emily Richardson and premiered at the London Film Festival. Six short performance films have been released and are currently viewable on Youtube. Currently, Simon is researching for a PhD at Middlesex University.
Bio coming soon…
Tom started playing the piano when he was 8 and took up the bassoon at the age of 16. Quick progress won Tom a scholarship to study at The Guildhall School of Music and Drama with Helen Simons, Miriam Gussek, Amy Harman and Stephen Maw. Auditioning for Erasmus exchange scheme in 2013 Tom moved to the Amsterdam Conservatorium to study with Jos de Lange, bassoonist of the Royal Concertgebouw orchestra. After completing his undergraduate studies Tom remained at The Guildhall school of Music and Drama and gained an MMus in Orchestral Artistry, kindly supported by The Countess of Munster Trust.
Having finished his studies, he enjoys a mix of musical activities from Orchestral playing and chamber music to teaching and outreach work in Schools across the country. He has played in many of the leading concert venues in the UK, Europe and China and has worked with the BBC Philharmonic and The London Symphony Orchestra. He has worked with some of the worlds leading conductors including Sir Simon Rattle, Gustavo Dudamel, Yan Pascal Tortelier and Valery Gergiev and has also recorded for Paul Weller and Deep Purple at the world Famous Abbey Road Studios.
Duncan (far left in the photo) has been a member of the English National Opera orchestra since 1997 and has played with the London Symphony Orchestra, Philharmonia, BBC Symphony Orchestra, Royal Philharmonic Orchestra and the Halle Orchestra.
He began learning the Double Bass at his local comprehensive school before gaining a place at Chetham’s School of Music and going on to study at the Royal Academy of Music, where he had the opportunity to play Schubert’s Trout Quintet with Lynn Harrell and Imogen Cooper and go on the European Union Youth Orchestra tour of South America.
Duncan has been living in Norfolk since 2007 and has been teaching the Bass locally at Norwich High School and Wymondham College and has taken Bass sectional rehearsals for the NCYO. He has also taught as a visiting teacher at Junior Guildhall and Junior Royal Academy schools in London.
Duncan has been at the NCYM since 2015 teaching Double Bass and taking part in the Junior and Intermediate string ensembles.
Mathew started playing the violin and viola whilst at school through the Essex Music Service; continuing his studies on the viola with Margaret Williams, Mark Knight and Martin Outram. Mathew has taught upper strings extensively both in the UK and abroad, being responsible for setting up the first string teaching programme at the SCS NWE Music Centre in Gutersloh, Nordrhein-Westfalen (Germany). He first came to Norfolk in 1994, and alongside his teaching has performed extensively across the East Anglian region. As well as solo recitals and chamber music performances, Mathew can often be seen in the viola sections of the regions orchestras, including the Academy of St Thomas, the East Anglian Chamber Orchestra and the Norfolk Symphony Orchestra. For many years, Mathew was very actively involved with the UK branch of the European String Teachers’ Association, active on the Management Committee and holding the role of external relations officer, alongside editing their magazines. Mathew currently holds the position of string team coordinator for the Norfolk Music Service.
Mathew first developed an interest in ‘Dalcroze Rhythmics’ after a year of study with Jacqueline Vann at Goldsmiths in London. He then followed this up with further periods of study, again with Jacqueline, and is a passionate believer that it should form the basis of all musical learning.
Ceri Peterson grew up in the market town of Beverley in the East Riding of Yorkshire. From a musical family, she was introduced to music at an early age, taking up the piano at the age of four and the violin when she was eight.
During her time at school, Ceri played a prominent role in the East Riding Youth Orchestra and also gained valuable orchestral experience in the Hull Philharmonic and Beverley Chamber orchestras. As an advanced violin student she received lessons from Paul Barritt before going to Birmingham University to study music. Here she gained an LTCL in violin performance, led the university orchestras and performed as a soloist in Bach’s Brandenburg Concerto No 4. Her final recital received a first class mark which contributed towards her BMus Honours degree.
After gaining a PGCE from the University College of Ripon and York St. John, Ceri began her teaching career in South Humberside and later the East Riding of Yorkshire before moving to Norfolk in 2000.
She is a committed teacher for the Norfolk Music Service, teaching children of all ages, in a range of individual, whole class lessons and ensemble coaching. From 2012 -2015 she held the position of String Co-ordinator and Tutor for the Norfolk County Youth Orchestra.
Ceri combines her busy teaching schedule with performing with several of the local orchestras. She is Leader of the Wymondham Symphony Orchestra, with whom she recently performed as soloist in The Lark Ascending by Vaughan-Williams. Ceri also enjoys performing with the Academy of St Thomas, and the Norwich Pops Orchestra.
David A Stowell began his musical career with the band of H. M. Coldstream Guards and after leaving H.M. forces furthered his studies as a conductor and composer in Boston earning awards for both conducting and composition.
David continued his career as a professional musician in the UK, his first major concert being the premiere of a new work by Sir Edmund Rubbra with the Royal Liverpool Philharmonic Orchestra at the Royal Albert Hall in the presence of the Queen. He has since appeared with several leading Orchestras including the London Symphony Orchestra and the City of Birmingham Symphony Orchestra.
For the Millennium Festival at the National Indoor Arena David was commissioned to compose the music for the opening ceremony.
Other Commissions include composing for the City of Birmingham Choir Festival held in Symphony Hall Birmingham, Music for Her Majesty the Queens State Visits and music for the Bishop inauguration ceremony, commissioned by the Royal College of Church Music.
In the Brass Band field he has composed for many bands including the Black Dyke band, GUS, Brighouse & Rastrick and the Grimethorpe Band. He has just completed a new work for the Cory band which is to be recorded in August.
In 1996 he was given the chance to study composition formally in London and worked with Michael Kamen and Sir Richard Rodney Bennett. This paid off with a commission to compose the music for the TV film `All Talk’. Following an opportunity to score a drama production in America (The Lake. 1998) David has worked as a composer on many television and radio productions including ‘A Christmas Carol’ . ‘The Letter'; ‘Anne Boleyn'; ‘All Talk'; ‘Out of Time'; ‘Unbeliever'; ‘The Snow Crystal’ and ‘IceBound’ for which he was nominated for a ‘Queens award for Television’ for Best Original Score. David is now working on the music score for a major new film currently in production.
Bio to follow…
Kit has deep roots in Saturday morning music schools, playing his recorder a young child at the music workshop in his home town of New Ash Green, Kent. A few years on, after classical training on the piano, he took to the guitar and attempted to teach himself everything from Abba to Zeppelin. In 1997, Kit joined the Gravesham Youth Jazz Orchestra, directed by trombonist Graham Mann.
In 2000 Kit moved to Norwich to study at the UEA, where he subsequently started his own guitar teaching business. He gained an ABRSM Certificate of Teaching in 2005 and has since been teaching guitar and leading bands on a regular basis. With much performance experience from the stage, studio and the orchestra pit, Kit blends repertoire, rudiments and improvisation in his teaching. Recently Kit has also directed the West Suffolk Youth Big Band and performed several shows with Norfolk-based septet “Bootleg Swing”.
Karen was born in London in 1970 and spent her formative years in Waltham Abbey. It was here that her parents nurtured her musical promise by encouraging piano and guitar lessons (just ask Karen about her most exciting Monday in 1975). Upon moving to Norfolk at the age of 9 she then set about learning the clarinet and saxophone; by the age of 12 Karen had 2 Grade 8 distinctions – including the highest mark in the country for piano – and had ditched her National Health blue-framed glasses for contact lenses.
When deciding on a career it was a close call between mathematics at Cambridge or music at one of the London colleges – there was a brief dalliance with becoming a professional tennis player but this soon disappeared after having discovered pizzas.
To cut a long story short, Karen won a piano competition in Spain, toured for a couple of years as a concert pianist, had a nervous breakdown, bought her first house, got married, moved to Wales and joined Flint Male Voice Choir (as the accompanist obviously). After finishing working for a digital production company Karen has finally returned to Norfolk for a more relaxed way of life! She is delighted to be working with the Music Service and her fellow accomplished professionals.
Bio to follow…
Bio to follow…